Friedrich von Schiller
EL61/Sun conjunction
From Wikipedia, the free encyclopedia
>>Johann Christoph Friedrich von Schiller (November 10, 1759 – May 9, 1805) was a German poet, philosopher, historian, and dramatist. During the last few years of his life (1788–1805), Schiller struck up a productive, if complicated, friendship with already famous and influential Johann Wolfgang Goethe, with whom he greatly discussed issues concerning aesthetics, encouraging Goethe to finish works he left merely as sketches; this thereby gave way to a period now referred to as Weimar Classicism. They also worked together on Die Xenien (The Xenies), a collection of short but harshly satiric poems in which both Schiller and Goethe verbally attacked those persons they perceived to be enemies of their aesthetic agenda.
Biography
Schiller was born in Marbach, Württemberg (located at the river Neckar in southwest Germany, north of Stuttgart, the region of Swabia), as the only son, besides ten sisters, of military doctor Johann Kaspar Schiller (1733-1796), and Elisabeth Dorothea Kodweiß (1732-1802). On 22 February 1790, he married Charlotte von Lengefeld (1766-1826). Four children were born between 1793 and 1804, the sons Karl and Ernst, and the daughters Luise and Emilie. The grandchild of Emilie, Baron Alexander of Gleichen-Rußwurm, died in 1947 at Baden-Baden, Germany, as the last living descendant of Schiller.
His father was away in the Seven Years' War when Friedrich was born. He was named after Frederick II of Prussia (Friedrich is German for Frederick), the king of the country his father was fighting, Prussia, but he was called Fritz by nearly everyone. Caspar Schiller was rarely home at the time, which was hard on the mother, but he did manage to visit the family once in a while and the mother and the children also visited him where he happened to be stationed at the time occasionally. In 1763, the war ended. Schiller's father became a recruiting officer and was stationed in Schwäbisch Gmünd. The family moved with him, of course; but since the cost of living especially the rent soon turned out to be too expensive, the family moved to nearby Lorch, which was at the time still a fairly small village.
Although the family was happy in Lorch, the father found his work unsatisfying. He did, however, take young Friedrich with him occasionally. In Lorch Schiller received his primary education, but the schoolmaster was lazy, so the quality of the lessons was fairly bad; therefore, Friedrich regularly cut class with his older sister. Because his parents wanted Schiller to become a pastor himself, they had the pastor of the village instruct the boy in Latin and Greek. The man was a good teacher, which led Schiller to name the cleric in Die Räuber after Pastor Moser. Schiller was excited by the idea of becoming a clericalist and often put on black robes and pretended to preach.
In 1766, the family left Lorch for the Duke's residence town, Ludwigsburg. Schiller's father had not been paid for three years and the family had been living on their savings, but could no longer afford to do so. So Kaspar Schiller had himself relocated to the garrison in Ludwigsburg. The move was not easy for Friedrich, since Lorch had been a warm and comforting home throughout his childhood.
He came to the attention of Karl Eugen, Duke of Württemberg. He entered the Karlsschule Stuttgart (an elite, extremely strict, military academy founded by Duke Karl Eugen), in 1773, where he eventually studied medicine. During most of his short life, he suffered from illnesses that he tried to cure himself.
While at the Karlsschule, Schiller read Rousseau and Goethe and discussed Classical ideals with his classmates. At school, he wrote his first play, Die Räuber (The Robbers), which dramatizes the conflict between two aristocratic brothers: the elder, Karl Moor, leads a group of rebellious students into the Bohemian forest where they become Robin Hood-like bandits, while Franz Moor, the younger brother schemes to inherit his father's considerable estate. The play's critique of social corruption and its affirmation of proto-revolutionary republican ideals astounded the original audience, and made Schiller an overnight sensation. Later, Schiller would be made an honorary member of the French Republic because of this play.
In 1780, he obtained a post as regimental doctor in Stuttgart, a job he disliked.
Following the remarkable performance of Die Räuber in Mannheim, in 1781, he was arrested and forbidden by Karl Eugen himself from publishing any further works. He fled Stuttgart, in 1783, coming via Leipzig and Dresden to Weimar, in 1787. In 1789, he was appointed professor of History and Philosophy in Jena, where he wrote only historical works. He returned to Weimar, in 1799, where Goethe convinced him to return to playwriting. He and Goethe founded the Weimar Theater which became the leading theater in Germany, leading to a dramatic renaissance. He remained in Weimar, Saxe-Weimar until his death at 45 from tuberculosis.
The coffin containing Schiller's skeleton is in Weimarer Fürstengruft (Weimar's Ducal Vault), the burial place of Houses of Grand Dukes (großherzoglichen Hauses) of Saxe-Weimar-Eisenach in the Historical Cemetery of Weimar. On 3 May 2008 it was announced that the DNA tests have shown that the skull of this skeleton is not Schiller's. The similarity between this skull and the extant death-mask as well as portraits of Schiller had led many experts to believe that the skull were Schiller's.
Freemasonry
Some Freemasons speculate that Schiller was a Freemason, but this has not been proven.
In 1787, in his tenth letter about Don Carlos Schiller wrote:
“I am neither Illuminati nor Mason, but if the fraternization has a moral purpose in common with one another, and if this purpose for the human society is the most important, ...”
In a letter from 1829, two Freemasons from Rudolstadt complain about the dissolving of their Lodge Günther zum stehenden Löwen that was honoured by the initiation of Schiller. According to Schiller's great-grandson Alexander von Gleichen-Rußwurm, Schiller was brought to the Lodge by Wilhelm Heinrich Karl von Gleichen-Rußwurm, but no membership document exists.
Writing
Philosophical papers
Schiller wrote many philosophical papers on ethics and aesthetics. He synthesized the thought of Immanuel Kant with the thought of Karl Leonhard Reinhold. He developed the concept of the Schöne Seele (beautiful soul), a human being whose emotions have been educated by his reason, so that Pflicht und Neigung (duty and inclination) are no longer in conflict with one another; thus "beauty," for Schiller, is not merely a sensual experience, but a moral one as well: the Good is the Beautiful. His philosophical work was also particularly concerned with the question of human freedom, a preoccupation which also guided his historical researches, such as the Thirty Years War and The Revolt of the Netherlands, and then found its way as well into his dramas (the "Wallenstein" trilogy concerns the Thirty Years War, while "Don Carlos" addresses the revolt of the Netherlands against Spain.) Schiller wrote two important essays on the question of the Sublime (das Erhabene), entitled "Vom Erhabenen" and "Über das Erhabene"; these essays address one aspect of human freedom as the ability to defy one's animal instincts, such as the drive for self-preservation, as in the case of someone who willingly dies for a beautiful idea.
The dramas
Schiller is considered by most Germans to be Germany's most important classical playwright. Critics like F.J. Lamport and Eric Auerbach have noted his innovative use of dramatic structure and his creation of new forms, such as the melodrama and the bourgeois tragedy. What follows is a brief, chronological description of the plays.
The Robbers ( Die Räuber): The language of The Robbers is highly emotional and the depiction of physical violence in the play marks it as a quintessential work o f Germany's Romantic 'Storm and Stress' movement. The Robbers is considered by critics like Peter Brooks to be the first European melodrama. The play pits two brothers against each other in alternating scenes, as one quests for money and power, while the other attempts to create a revolutionary anarchy in the Bohemian Forest. The play strongly criticises the hypocrisies of class and religion and the economic inequities of German society; it also conducts a complicated inquiry into the nature of evil.
Fiesco ( Die Verschwörung des Fiesco zu Genua):
Intrigue and Love (Kabale und Liebe): The aristocratic Ferdinand von Walter wishes to marry Luisa Miller, the bourgeois daughter of the city's music instructor. Court politics involving the duke's beautiful but conniving mistress, Lady Milford and Ferdinand's ruthless father create a disastrous situation reminiscent of Shakespeare's Romeo and Juliet. Schiller develops his criticisms of absolutism and bourgeois hypocrisy in this bourgeois tragedy. Act 2, Scene 2 is an anti-British parody that depicts a bloody firing-squad massacre, in which young Germans who refused to join the Hessian Army to quash the American Revolutionary Army are fired upon. Giuseppe Verdi's opera Luisa Miller is based on this play.
Don Carlos: This play marks Schiller's entrée into historical drama. Very loosely based on the events surrounding the real Don Carlos of Spain, Schiller's Don Carlos is another republican figure--he attempts to free Flanders from the despotic grip of his father, King Phillip. The Marquis Posa's famous speech to the king proclaims Schiller's belief in personal freedom and democracy.
The Wallenstein Trilogy: These plays follow the fortunes of the treacherous command er Albrecht von Wallenstein during the Thirty Years' War.
Mary Stuart ( Maria Stuart): This "revisionist" history of the Scottish queen who was Elizabeth I's rival makes of Mary Stuart a tragic heroine, misunderstood, and used by ruthless politicians, including and especially, Elizabeth herself.
The Maid of Orleans ( Die Jungfrau von Orleans):
The Bride of Messina ( Die Braut von Messina):
William Tell ( Wilhelm Tell):
Demetrius (unfinished):
The Aesthetic Letters
A pivotal work by Schiller was On the Aesthetic Education of Man in a series of Letters, (Über die ästhetische Erziehung des Menschen in einer Reihe von Briefen) which was inspired by the great disenchantment Schiller felt about the French Revolution, its degeneration into violence and the failure of successive governments to put its ideals into practice. Schiller wrote that "a great moment has found a little people," and wrote the Letters as a philosophical inquiry into what had gone wrong, and how to prevent such tragedies in the future. In the Letters he asserts that it is possible to elevate the moral character of a people, by first touching their souls with beauty, an idea that is also found in his poem Die Künstler (The Artists): "Only through Beauty's morning-gate, dost thou penetrate the land of knowledge."
On the philosophical side, Letters put forth the notion of der sinnliche Trieb / Sinnestrieb ("the sensuous drive") and Formtrieb ("the formal drive"). In a comment to Immanuel Kant's philosophy, Schiller transcends the dualism between Form and Sinn, with the notion of Spieltrieb ("the play drive") derived from, as are a number of other terms, Kant's The Critique of the Faculty of Judgment. The conflict between man's material, sensuous nature, and his capacity for reason (Formtrieb being the drive to impose conceptual and moral order on the world), Schiller resolves with the happy union of Form and Sinn, the "play drive," which for him is synonymous with artistic beauty, or "living form." On the basis of Spieltrieb, Schiller sketches in Letters a future ideal state (an eutopia), where everyone will be content, and everything will be beautiful, thanks to the free play of Spieltrieb. Schiller's focus on the dialectical interplay between Form and Sinn has inspired a wide range of succeeding aesthetic philosophical theory.
Ennoblement
For his achievements, Schiller was ennobled, in 1802, by the Duke of Weimar. His name changed from Johann Christoph Friedrich Schiller to Johann Christoph Friedrich von Schiller.
Quotations
"Against stupidity the gods themselves contend in vain." — (Talbot in Maid of Orleans)
"The voice of the majority is no proof of justice." (Sapieha, in: Demetrius)
"Deeper meaning resides in the fairy tales told to me in my childhood than in any truth that is taught in life."
"Eine Grenze hat die Tyrannenmacht", which literally means "A tyrant's power has a limit" - — Wilhelm Tell
"It is not flesh and blood but the heart which makes us fathers and sons."
"All men will be brothers" (included in the chorus of Beethoven's ninth symphony)
Musical settings of Schiller's poems and stage plays
Ludwig van Beethoven said that a great poem is more difficult to set to music than a merely good one because the composer must improve upon the poem. In that regard, he said that Schiller's poems were greater than those of Goethe, and perhaps that is why there are relatively few famous musical settings of Schiller's poems. Two notable exceptions are Beethoven's setting of An die Freude (Ode to Joy) in the final movement of the Ninth Symphony), and the choral setting of Nänie by Johannes Brahms. In addition, several poems were set by Franz Schubert in lieder, mostly for voice and piano.
Also, Giuseppe Verdi admired Schiller greatly and adapted several of his stage plays for his operas: I masnadieri is based on Die Räuber; Giovanna d'Arco, on Die Jungfrau von Orleans; Luisa Miller, on Kabale und Liebe; Don Carlos on the play of the same title. Donizetti's Maria Stuarda is based on Maria Stuart, and Rossini's Guillaume Tell is an adaptation of Wilhelm Tell.
Works
Plays
Die Räuber ( The Robbers), 1781
Kabale und Liebe ( Intrigue and Love), [13] 1784
Don Karlos, Infant von Spanien ( Don Carlos), [15] 1787
Wallenstein,[16] 1800
Die Jungfrau von Orleans ( The Maid of Orleans), 1801
Maria Stuart ( Mary Stuart), [17] 1801
Turandot, 1802
Die Braut von Messina ( The Bride of Messina), 1803
Wilhelm Tell ( William Tell), 1804
Demetrius (unfinished at his death)
Histories
Geschichte des Abfalls der vereinigten Niederlande von der spanischen Regierung or The Revolt of the Netherlands
Geschichte des dreissigjährigen Kriegs or A History of the Thirty Years' War
Über Völkerwanderung, Kreuzzüge und Mittelalter or On the Barbarian Invasions, Crusaders and Middle Ages
Translations
Euripides, Iphigenia in Aulis
William Shakespeare, Macbeth
Jean Racine, Phèdre
Prose
Der Geisterseher or The Ghost-Seer (unfinished novel) (started in 1786 and published periodically. Published as book in 1789)
Über die ästhetische Erziehung des Menschen in einer Reihe von Briefen ( On the Aesthetic Education of Man in a series of Letters), 1794
Poems
An die Freude or Ode to Joy[13](1785) became the basis for the fourth movement of Beethoven's ninth symphony
The Artists
The Hostage which Schubert set to music
The Cranes of Ibykus
Song of the Bell
Columbus
Hope
Pegasus in Harness
The Glove
Nänie which Brahms set to music
<<
_________________________________
VON SCHILLER, Friedrich
DoB: 10/11/1759 Time: 22:30 (+0:37 LMT) GMT Time: 21:53:04 by Astrodienst
Location: 9E14 48N56 Marbach Am Neckar-BW- (D)
Category: Writer
Source: Miscellaneous data collections: Datensammlung: Grazia Bordoni, Milano -M. Penfield-
Rodden's AstroDatabank has 8:00am LMT, rating: DD
Using RIYAL 3.1
Astrological Setting (Tropical - Placidus)
RIYAL Sat November 10 1759 UT 21h53m04s Lat48n56 Lon9e14 SORT ALL
Planet Longit. Latit. Declin. Const.
BL41 = 0Li41 12s14 11s29 Crt
AW197 = 0Sa45 19s26 39s16 Lup
Quaoar = 1Aq07 7n07 12s59 Cap
WL7 = 1Li09 0n28 0s02 Vir
Mars = 1Vi59 1n48 12n28 Leo
Echeclus = 2Li01 0n26 0s24 Vir
96PW = 2Vi11 5n56 16n15 Leo
Huya = 2Sc19 10n53 2s03 Vir
Okyrhoe = 2Pi23 4n32 6s24 Aqr
XR190 = 2Sa38 6s18 26s54 Sco
RL43 = 3Ar11 r 5s30 3s47 Cet
GV9 = 3Sa14 1s25 22s14 Sco
OP32 = 3Ar18 r 2s22 0s51 Cet
Chaos = 3Vi41 11n31 20n52 Leo
TX300 = 3Ge46 r 25n51 46n10 Per
Chiron = 3Aq53 6n48 12s42 Cap
CE10 = 4Sa18 30s37 50s54 Nor
Vertex = 4Cp41
DH5 = 5Pi01 r 1s19 10s55 Aqr
WN188 = 5Pi21 r 16s56 25s13 Aqr
Radamantu= 5Li41 0n27 1s51 Vir
LE31 = 5Ge47 r 20s33 1n03 Tau
RR43 = 5Ca53 r 6n44 30n04 Gem
HB57 = 6Ge04 r 12s20 9n11 Tau
PA44 = 6Ca21 r 3s00 20n19 Gem
KF77 = 6Aq24 3s48 22s23 Cap
PN34 = 6Le28 r 2s49 15n57 Cnc
Hylonome = 6Sa32 3n49 17s40 Oph
Pylenor = 6Vi48 1n44 10n39 Leo
RM43 = 7Sa20 7n26 14s14 Oph
Asbolus = 7Vi23 8n34 16n44 Leo
CO104 = 7Le35 2n12 20n31 Cnc
XA255 = 7Ar37 r 12s50 8s45 Cet
TD10 = 7Li54 0n37 2s35 Vir
RP120 = 7Sc57 3n51 10s32 Lib
FZ173 = 8Ta20 r 8n11 22n02 Ari
GQ21 = 8Ta38 r 6s24 8n19 Cet
YQ179 = 8Pi38 r 16s54 23s55 Aqr
Ixion = 8Sa51 0s32 22s20 Oph
Pelion = 9Ge13 r 8s10 13n48 Ori
Cyllarus = 9Le29 r 12n27 29n52 Cnc
Saturn = 9Pi31 r 2s06 9s57 Aqr
Moon = 9Le44 3n26 21n08 Cnc
CZ118 = 9Ge45 r 27n52 49n23 Per
UX25 = 10Ge49 r 15s17 6n57 Ori
FP185 = 11Ta03 r 23s03 6s48 Eri
TY364 = 11Ar29 r 21s15 14s59 Cet
RZ215 = 12Vi04 1s36 5n34 Leo
TO66 = 12Ta16 r 22n14 36n31 And
GB32 = 12Ge33 r 14s02 8n24 Ori
GM137 = 12Pi39 r 15s22 20s58 Aqr
Sedna = 12Pi43 r 4s31 10s58 Aqr
Elatus = 13Sc10 4n04 11s56 Lib
Thereus = 13Ca22 r 20s30 2n23 Mon
CC22 = 13Pi40 r 2n30 4s07 Psc
Pholus = 14Cp07 4n46 17s58 Sgr
FY9 = 14Sc12 16n05 0s43 Ser
Ascend = 14Le36 0n00 16n28 Cnc
SB60 = 14Ar38 r 24n06 27n48 And
CF119 = 14Pi38 r 14n16 7n06 Peg
SA278 = 15Cp18 14n21 8s20 Aql
XZ255 = 15Vi25 2n33 8n06 Leo
QB243 = 15Le26 1n33 17n42 Leo
OM67 = 15Vi58 9s05 2s50 Leo
VU2 = 16Aq00 13n25 3s13 Aqr
FZ53 = 16Le01 33s12 15s42 Hya
Bienor = 16Le02 8n29 24n08 Leo
Nessus = 16Cp02 15s00 37s23 Sgr
CR105 = 16Aq43 5s03 20s39 Cap
OX3 = 16Sc47 1s53 18s40 Lib
UR163 = 16Ca48 r 0n08 22n33 Gem
Typhon = 16Ge50 r 2n29 25n18 Tau
BU48 = 16Aq50 2s21 18s03 Cap
QB1 = 16Ge58 r 2n10 24n59 Tau
CY118 = 17Ar11 r 16s26 8s25 Cet
EL61 = 17Sc21 26n25 8n23 Ser
Chariklo = 18Sc04 20s34 36s51 Cen
Sun = 18Sc15 0n00 17s17 Lib
MS4 = 18Cp24 17n06 5s15 Aql
Jupiter = 18Cp27 0s25 22s37 Sgr
XX143 = 18Ge36 r 2s55 20n04 Tau
Teharonhi= 18Ar49 r 2n33 9n45 Psc
QD112 = 19Ar28 r 6n16 13n25 Psc
AZ84 = 19Ca44 r 8s56 13n11 Gem
Neptune = 19Le45 0n16 15n10 Leo
TC302 = 20Sc07 18s48 35s48 Cen
KX14 = 20Sc09 0s17 18s05 Lib
VR130 = 20Aq14 2n04 12s48 Cap
DA62 = 20Ar17 r 9s42 1s03 Cet
Eris = 20Sa45 35s28 58s28 Ara
RN43 = 21Pi06 r 4n00 0n09 Psc
CO1 = 21Pi29 r 19s55 21s35 Cet
Mercury = 21Sc32 0s31 18s40 Lib
Apogee = 21Li35 r 4n46 4s00 Vir
MW12 = 21Aq56 13n30 1s25 Aqr
Logos = 22Sc25 2n47 15s42 Lib
QF6 = 23Vi27 8n57 10n49 Vir
Pluto = 23Sa45 6n30 16s50 Sgr
Crantor = 23Cp47 0s29 21s51 Sgr
Orcus = 24Le34 17s39 3s19 Hya
RD215 = 24Li50 1s05 10s38 Vir
OO67 = 25Li15 18n23 7n22 Vir
Varuna = 25Le35 13n20 25n30 Leo
VQ94 = 26Pi24 r 58s21 52s34 Eri
RG33 = 26Vi47 19n14 18n52 Com
RZ214 = 26Vi58 11s55 9s43 Crt
GZ32 = 27Ca13 r 2n59 23n40 Cnc
PB112 = 27Li21 8s39 18s35 Vir
Uranus = 27Pi30 r 0s46 1s42 Psc
VS2 = 27Ta46 r 13n26 32n44 Per
PJ30 = 28Ge05 r 2n09 25n37 Gem
Node = 28Ge18 0n00 23n28 Gem
UJ438 = 28Cp22 2n22 18s12 Cap
Amycus = 28Sc33 12s04 31s36 Lup
Ceto = 28Aq57 r 7n45 4s35 Aqr
Midheav = 29Ar18 0n00 11n14 Ari
Venus = 29Li25 r 2s44 13s50 Vir
TL66 = 29Sc49 10n47 9s35 Sco
SQ73 = 29Sc52 12s15 32s05 Lup
Deucalion= 29Sa58 0s13 23s41 Sgr
_______________________
Focused Minor Planets
EL61 = 17 Sc 21
Sun = 18 Sc 15
OX3 = 16 Sc 47
Chariklo = 18 Sc 04
Jupiter = 18 Cp 27 Sextile
MS4 = 18 Cp 24
Nessus = 16 Cp 02
CY118 = 17 Ar 11 r Quincunx
QB1 = 16 Ge 58 r
Typhon = 16 Ge 50 r
CR105 = 16 Aq 43 Square
BU48 = 16 Aq 50
UR163 = 16 Ca 48 r Trine
___________________
Ixion = 8 Sa 51
Pelion = 9 Ge 13 r
CZ118 = 9 Ge 45 r
UX25 = 10 Ge 49 r
Moon = 9 Le 44 Trine
Cyllarus = 9 Le 29 r
Saturn = 9 Pi 31 r Square
OO67 = 25 Li 15 Semisquare
GQ21 = 8 Ta 38 r Quincunx
___________________
Logos = 22 Sc 25
Mercury = 21 Sc 32
RN43 = 21 Pi 06 r Trine
MW12 = 21 Aq 56 Square
___________________
Eris = 20 Sa 45
Mercury = 21 Sc 32 Semisextile
Neptune = 19 Le 45 Trine
RN43 = 21 Pi 06 r Square
MW12 = 21 Aq 56 Sextile
___________________
TL66 = 29 Sc 49
AW197 = 0 Sa 45
Amycus = 28 Sc 33
Venus = 29 Li 25 r Semisextile
Deucalion = 29 Sa 58
SA278 = 15 Cp 18 Semisquare
Midheav = 29 Ar 18 Quincunx
Node = 28 Ge 18
___________________
AW197 = 0 Sa 45
TL66 = 29 Sc 49
Mars = 1 Vi 59 Square
96PW = 2 Vi 11
Quaoar = 1 Aq 07 Sextile
Echeclus = 2 Li 01
SA278 = 15 Cp 18 Semisquare
___________________
Chaos = 3 Vi 41
Mars = 1 Vi 59
Okyrhoe = 2 Pi 23
XR190 = 2 Sa 38 Square
GV9 = 3 Sa 14
TX300 = 3 Ge 46 r
Chiron = 3 Aq 53 Quincunx
OP32 = 3 Ar 18 r
___________________
VS2 = 27 Ta 46 r
Uranus = 27 Pi 30 r Sextile
VQ94 = 26 Pi 24 r
RZ214 = 26 Vi 58 Trine
PB112 = 27 Li 21 Quincunx
___________________
OO67 = 25 Li 15
RD215 = 24 Li 50
Pluto = 23 Sa 45 Sextile
Orcus = 24 Le 34
Varuna = 25 Le 35
Ixion = 8 Sa 51 Semisquare
Crantor = 23 Cp 47 Square
______________________________
______________________________
Astrological Setting (Sidereal - Fagan/Bradley)
RIYAL Sat November 10 1759 UT 21h53m04s Lat48n56 Lon9e14 SORT ALL
Planet Longit.
CO1 = 0Pi06 r
Mercury = 0Sc09
Apogee = 0Li12 r
MW12 = 0Aq34
Logos = 1Sc02
QF6 = 2Vi04
Pluto = 2Sa22
Crantor = 2Cp24
Orcus = 3Le11
RD215 = 3Li27
OO67 = 3Li52
Varuna = 4Le13
VQ94 = 5Pi02 r
RG33 = 5Vi24
RZ214 = 5Vi36
GZ32 = 5Ca50 r
PB112 = 5Li58
Uranus = 6Pi07 r
VS2 = 6Ta23 r
PJ30 = 6Ge42 r
Node = 6Ge55
UJ438 = 6Cp59
Amycus = 7Sc10
Ceto = 7Aq34 r
Midheav = 7Ar55
Venus = 8Li02 r
TL66 = 8Sc26
SQ73 = 8Sc29
Deucalion= 8Sa35
BL41 = 9Vi18
AW197 = 9Sc22
Quaoar = 9Cp44
WL7 = 9Vi46
Mars = 10Le36
Echeclus = 10Vi38
96PW = 10Le48
Huya = 10Li56
Okyrhoe = 11Aq00
XR190 = 11Sc15
RL43 = 11Pi49 r
GV9 = 11Sc51
OP32 = 11Pi55 r
Chaos = 12Le18
TX300 = 12Ta23 r
Chiron = 12Cp30
CE10 = 12Sc55
Vertex = 13Sa18
DH5 = 13Aq38 r
WN188 = 13Aq58 r
Radamantu= 14Vi18
LE31 = 14Ta24 r
RR43 = 14Ge30 r
HB57 = 14Ta41 r
PA44 = 14Ge58 r
KF77 = 15Cp01
PN34 = 15Ca05 r
Hylonome = 15Sc09
Pylenor = 15Le25
RM43 = 15Sc57
Asbolus = 16Le01
CO104 = 16Ca12
XA255 = 16Pi14 r
TD10 = 16Vi31
RP120 = 16Li34
FZ173 = 16Ar57 r
GQ21 = 17Ar15 r
YQ179 = 17Aq15 r
Ixion = 17Sc28
Pelion = 17Ta50 r
Cyllarus = 18Ca06 r
Saturn = 18Aq08 r
Moon = 18Ca21
CZ118 = 18Ta22 r
UX25 = 19Ta26 r
FP185 = 19Ar40 r
TY364 = 20Pi06 r
RZ215 = 20Le41
TO66 = 20Ar53 r
GB32 = 21Ta10 r
GM137 = 21Aq16 r
Sedna = 21Aq20 r
Elatus = 21Li47
Thereus = 21Ge59 r
CC22 = 22Aq17 r
Pholus = 22Sa44
FY9 = 22Li49
Ascend = 23Ca13
SB60 = 23Pi15 r
CF119 = 23Aq15 r
SA278 = 23Sa55
XZ255 = 24Le02
QB243 = 24Ca03
OM67 = 24Le35
VU2 = 24Cp37
FZ53 = 24Ca38
Bienor = 24Ca39
Nessus = 24Sa39
CR105 = 25Cp20
OX3 = 25Li24
UR163 = 25Ge25 r
Typhon = 25Ta27 r
BU48 = 25Cp27
QB1 = 25Ta35 r
CY118 = 25Pi49 r
EL61 = 25Li58
Chariklo = 26Li41
Sun = 26Li52
MS4 = 27Sa01
Jupiter = 27Sa04
XX143 = 27Ta13 r
Teharonhi= 27Pi26 r
QD112 = 28Pi05 r
AZ84 = 28Ge21 r
Neptune = 28Ca22
TC302 = 28Li44
KX14 = 28Li46
VR130 = 28Cp51
DA62 = 28Pi54 r
Eris = 29Sc22
RN43 = 29Aq43 r
_____________________
Focused Minor Planets
EL61 = 25 Li 58
Sun = 26 Li 52
OX3 = 25 Li 24
Chariklo = 26 Li 41
Jupiter = 27 Sa 04 Sextile
MS4 = 27 Sa 01
Nessus = 24 Sa 39
CY118 = 25 Pi 49 r Quincunx
QB1 = 25 Ta 35 r
Typhon = 25 Ta 27 r
CR105 = 25 Cp 20 Square
BU48 = 25 Cp 27
UR163 = 25 Ge 25 r Trine
___________________
Ixion = 17 Sc 28
Pelion = 17 Ta 50 r
CZ118 = 18 Ta 22 r
UX25 = 19 Ta 26 r
Moon = 18 Ca 21 Trine
Cyllarus = 18 Ca 06 r
Saturn = 18 Aq 08 r Square
OO67 = 3 Li 52 Semisquare
GQ21 = 17 Ar 15 r Quincunx
___________________
Logos = 1 Sc 02
Mercury = 0 Sc 09
RN43 = 29 Aq 43 r Trine
MW12 = 0 Aq 34 Square
___________________
Eris = 29 Sc 22
Mercury = 0 Sc 09 Semisextile
Neptune = 28 Ca 22 Trine
RN43 = 29 Aq 43 r Square
MW12 = 0 Aq 34 Sextile
___________________
TL66 = 8 Sc 26
AW197 = 9 Sc 22
Amycus = 7 Sc 10
Venus = 8 Li 02 r Semisextile
Deucalion = 8 Sa 35
SA278 = 23 Sa 55 Semisquare
Midheav = 7 Ar 55 Quincunx
___________________
AW197 = 9 Sc 22
TL66 = 8 Sc 26
Mars = 10 Le 36 Square
96PW = 10 Le 48
Quaoar = 9 Cp 44 Sextile
Echeclus = 10 Vi 38
SA278 = 23 Sa 55 Semisquare
___________________
Chaos = 12 Le 18
Mars = 10 Le 36
Okyrhoe = 11 Aq 00
XR190 = 11 Sc 15 Square
GV9 = 11 Sc 51
TX300 = 12 Ta 23 r
Chiron = 12 Cp 30 Quincunx
OP32 = 11 Pi 55 r
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VS2 = 6 Ta 23 r Sextile
Uranus = 6 Pi 07 r
VQ94 = 5 Pi 02 r
RZ214 = 5 Vi 36 Trine
PB112 = 5 Li 58 Quincunx
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OO67 = 3 Li 52
RD215 = 3 Li 27
Pluto = 2 Sa 22 Sextile
Orcus = 3 Le 11
Varuna = 4 Le 13
Ixion = 17 Sc 28 Semisquare
Crantor = 2 Cp 24 Square
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Tentatively, additional keywords for 2003 EL61:
- Embodiment of Willpower
- Breakthroughs
- Aesthetician
- Passionate belief in the humanizing and social function of Art
- Profound Idealism
- The pleasure of tragedy as the poignant mixed feeling at the necessary sacrifice of something intensely valuable
- Freedom as the highest principle
- In adversity, the harmony of mind and body replaced by the freedom of mind from body: the ‘sublime’ quality of dignity
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Posted to Centaurs (YahooGroups) on June 15, 2008
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