Marlene Dietrich

UX25 / Sun conjunction

>>Marlene Dietrich IPA: [ma?'le?n? 'di?tr?ç]; (December 27, 1901 – May 6, 1992) was a German-born American actress, singer, and entertainer. She is regarded as being the first German actress to become successful in Hollywood.

Throughout her long career, starting as a cabaret singer, chorus girl and film actress in 1920s Berlin, Hollywood movie star in the 1930s, World War II frontline entertainer during the 1940s, and finally as an international stage show performer from the 1950s to the 1970s, Dietrich constantly re-invented herself and eventually became one of the entertainment icons of the 20th century. The American Film Institute ranked Dietrich No. 9 amongst the Greatest Female Stars of All Time.

She was born Marie Magdalene Dietrich on December 27, 1901 in Schöneberg, a district of Berlin, Germany.

She was the youngest of two daughters (her sister Elisabeth was a year older) born to Louis Erich Otto Dietrich and Wilhelmina Elisabeth Josephine Dietrich (née Felsing). Dietrich's mother was from a well-to-do Berlin family who owned a clockmaking firm and her father was a police lieutenant who had served in the Franco-Prussian War. Her father died in 1907, whereupon her mother took a job as housekeeper for Eduard von Losch, a first lieutenant in the grenadiers. Wilhelmina Dietrich married von Losch c. 1916, but he died soon after as a result of injuries sustained during WWI.

Von Losch had never officially adopted the Dietrich children, hence Dietrich's surname was never von Losch, as is sometimes claimed. She was nicknamed "Lene" (pronounced Lay-na) within the family. Around the age of 11, she contracted her two first names to form the then-unusual name, Marlene.

Dietrich attended the Auguste Victoria School for Girls from 1906 - 1918. She studied the violin and became interested in theatre and poetry as a teenager. Her dreams of becoming a concert violinist were cut short when she injured her wrist.

Berlin in the 1920s: Early Career

In 1921, Dietrich auditioned unsuccessfully for theatrical director and impressario Max Reinhardt's drama academy; however, she soon found herself working in his theatres as a chorus girl and playing small roles in dramas, without attracting any special attention at first.

She made her film debut playing a bit part in the 1922 film, So sind die Männer. She met her future husband, Rudolf Sieber, on the set of another film made that year, Tragödie der Liebe.

Dietrich and Sieber were married in May 1923. Her only child, daughter Maria Elisabeth Sieber, was born in 1924.

Dietrich continued to work on stage and in film both in Berlin and Vienna throughout the 1920s. On stage, she had roles of varying importance in Frank Wedekind's Pandora's Box, William Shakespeare's The Taming of the Shrew and A Midsummer Night's Dream as well as George Bernard Shaw's Back to Methuselah and Misalliance. It was in musicals and revues, such as Broadway, Es Liegt in der Luft and Zwei Krawatten, however, that she attracted most attention.

By the late 1920s, she was also playing sizable parts on screen - the most notable films being Café Electric (1927), Ich Küsse Ihre Hand, Madame (1928) and Das Schiff der Verloren Menchen (1929).

In 1929, though, she got the breakthrough role of Lola-Lola, a cabaret singer who causes the downfall of a hitherto respected schoolmaster, in UFA's production, The Blue Angel (1930).

The film was directed by Josef von Sternberg, who thereafter took credit for having "discovered" Dietrich.

Josef von Sternberg

The film is also noteworthy for having introduced Dietrich's signature song "Falling in Love Again".

On the strength of The Blue Angel's success, and with encouragement and promotion from von Sternberg, who was already established in Hollywood, Dietrich then moved to the U.S. on contract to Paramount. The studio sought to market Dietrich as a German answer to MGM's Swedish sensation Greta Garbo. Her first American film, Morocco, directed by von Sternberg, earned Dietrich her only Oscar nomination.

Morocco Morocco

Dietrich's most lasting contribution to film history was as the star of a series of six films directed by von Sternberg at Paramount between 1930 and 1935: Morocco, Dishonored, Shanghai Express, Blonde Venus, The Scarlet Empress, and The Devil is a Woman.

Shanghai Express

Von Sternberg had seen potential in Dietrich that other German directors had missed (and which, even in retrospect, is not necessarily obvious even in The Blue Angel). In Hollywood he worked very effectively with Dietrich to create the image of a glamorous femme fatale. He encouraged her to lose weight and coached her intensively as an actress – she, in turn, was willing to trust him and follow his sometimes imperious direction in a way that a number of other performers resisted. A crucial part of the overall effect was created by von Sternberg's exceptional skill in lighting and photographing Dietrich to optimum effect — the use of light and shadow, including the impact of light passed through a veil or slatted blinds (as for example in Shanghai Express) — which, when combined with scrupulous attention to all aspects of set design and costumes, make this series of films among the most visually stylish in cinema history. Critics still debate vigorously how much of the credit belonged to von Sternberg and how much to Dietrich, but most would agree that neither consistently reached such heights again after Paramount fired von Sternberg and the two ceased to work together.

Without von Sternberg, Dietrich by 1939 was being labeled "box office poison" after her 1937 Korda film Knight Without Armour proved an expensive flop.

Knight Without Armour

In 1939, however, her stardom was revived when she played the cowboy saloon girl Frenchie in the light-hearted western Destry Rides Again opposite James Stewart. The movie also introduced another favorite song, "See what the boys in the back room will have." She played a similar role in 1942 with John Wayne in The Spoilers.

While she arguably never fully regained her former screen glory, she continued performing in the movies, including appearances for such distinguished directors as Wilder, Hitchcock and Welles, and in successful films that included A Foreign Affair, Witness for the Prosecution, Touch of Evil, Judgment at Nuremberg, and Stage Fright.

A Foreign Affair

In 1937, while her film career stalled in Hollywood, she made a film in London for producer Alexander Korda. In later interviews, she claimed that, while in London to film Knight Without Armour (1937), she was approached by representatives of the Nazi Party to return to Germany, but turned them down flat. Dietrich became an American citizen in 1939.

In 1941, the U.S. entered the World War II and Dietrich became one of the first celebrities to raise war bonds. She entertained troops on the front lines in a USO revue that included future TV pioneer Danny Thomas as her opening act. Dietrich was known to have strong political convictions and the mind to speak them. Like many Weimar era German entertainers, she was a staunch anti-Nazi who despised anti-Semitism.

She recorded a number of anti-Nazi records in German for the OSS, including "Lili Marlene." She also played the musical saw to entertain troops. She sang for the Allied troops on the front lines in Algiers, France and into Germany with Generals James M. Gavin and George S. Patton. When asked why she had done this, in spite of the obvious danger of being within a few kilometers of German lines, she replied, "aus Anstand" — "it was the decent thing to do."

Dietrich was awarded the Medal of Freedom by the U.S. Government for her war work. She was also made a chevalier (later commandeur) of the Légion d'Honneur by the French government.

Dietrich had a smoky and world-weary singing voice which she used to great effect in many of her films, on records and later during her world-wide concert tours. Kenneth Tynan called her voice her "third dimension." Ernest Hemingway thought that "if she had nothing more than her voice, she could break your heart with it."

Dietrich’s recording career spanned over half a century. Prior to international stardom, she recorded a duet, "Wenn die Beste Freundin", with Margo Lion. This song, with its lesbian overtones, was a hit in Berlin in 1928.

In 1930, she recorded English and German-language selections from her film, Der Blaue Engel, for Electrola in Berlin. It was at this time that she recorded Frederick Hollander’s "Falling in Love Again" for the first time — it would become her theme song, to be sung in thousands of concerts and forever identified with her - although she personally hated it.

A 1933 Parisian recording session for Polydor produced several classic tracks, including Franz Waxman’s "Allein in Einer Grossen Stadt." She recorded "The Boys in the Back Room" from Destry Rides Again for Decca Records in 1939. In 1945, she recorded her version of "Lili Marleen".

Dietrich signed with Columbia Records in the 1950s, with Mitch Miller as her producer. The 1950 LP Marlene Dietrich Overseas, with Dietrich singing German translations of American songs of the World War II era, was a prestige hit. She also recorded several duets with Rosemary Clooney; these tapped into a younger market and charted.

During the 1960s, Dietrich recorded several albums and many singles, mostly with Burt Bacharach at the helm of the orchestra. Dietrich in London, recorded live at the Queen’s Theatre in 1964, is an enduring document of Dietrich in concert. In 1972, Dietrich taped a television special, An Evening With Marlene Dietrich — also known as I Wish You Love — at the New London Theatre in London: the concert was re-released, with bonus material, as a 75-minute DVD in 2003.

In 1978, her performance of the title track from her last film, Just a Gigolo, was issued as a single. She made her last recordings from her Paris apartment in 1987: spoken introductions to songs for a nostalgia album by Udo Lindenberg.

Asked by Maximillian Schell in his documentary Marlene (1984) which of her own recordings were her favorites, she replied that she thought Marlene Singt Berlin-Berlin (1964), an album featuring her singing old Berlin schlager (popular songs) was her best recorded work.

Stage and cabaret

From the early 1950s until the mid-1970s, Dietrich worked almost exclusively as a highly-paid cabaret artist, performing live in large theaters in major cities world-wide.

In 1953, Dietrich was offered a then-staggering $ 30 000 per week to appear live at the Sahara Hotel in Las Vegas. The show was short, consisting only of a few songs associated with her. Her daring sheer costumes, designed by Jean Louis, attracted a lot of publicity and attention. This engagement was so successful that she was signed to appear at the Cafe de Paris in London the following year, and her Las Vegas contracts were also renewed.

It was the start of a new phase in Dietrich's career. When she signed Burt Bacharach as her musical arranger in the mid-1950s, her show started to evolve from a mere nightclub act to a more ambitious one-woman show featuring an array of new material. Her repertoire included songs from her films as well as popular songs of the day. Bacharach's arrangements helped to disguise Dietrich's limited vocal range and allowed her to perform her songs to maximum dramatic effect.

Her return to Germany in 1960 for a concert tour elicited a mixed response. Many Germans felt she had betrayed her homeland by her actions during World War II. During her performances at Berlin's Titania Palast theatre, protesters chanted, "Marlene Go Home!" On the other hand, Dietrich was warmly welcomed by other Germans, including Berlin mayor Willy Brandt. The tour was an artistic triumph but a financial failure. She also undertook a tour of Israel around the same time, which was well-received; she sang some songs in German during her concerts, including a German version of Pete Seeger's anti-war anthem Where Have All the Flowers Gone, thus breaking the unofficial taboo against the use of German in Israel.

Bacharach left as Dietrich's conductor in 1964. She appeared on Broadway twice (1967 and 1968), winning a special Tony Award for her performance. Her costumes (body-hugging dresses covered with thousands of crystals as well as a swansdown coat), body-sculpting undergarments, careful stage lighting (by Joe Davis) and temporary mini-facelifts helped to preserve Dietrich's glamorous image well into old age.

In November 1972, a version of the show she had performed on Broadway was filmed in London. She was paid $ 250 000 for her co-operation, but Dietrich was unhappy with the result. The show was broadcast in the US and UK in January 1973.

Her show business career largely ended on September 29, 1975, when she broke her leg during a stage performance in Australia. She appeared briefly in the film, Just a Gigolo, in 1979, and wrote and contributed to several books during the 1980s.

She spent her last decade mostly bed-ridden, in her apartment at no. 12 avenue Montaigne in Paris, during which time she was not seen in public but was a prolific letter-writer and phone-caller. Maximilian Schell persuaded Dietrich to be interviewed for his 1984 documentary Marlene, but she did not appear on screen. She began a close friendship with the biographer David Bret, one of the few people allowed inside her Paris apartment. Bret is thought to have been the last person outside her family that Dietrich spoke to, two days before her death: "I have called to say that I love you, and now I may die." She was in constant contact with her daughter, who came to Paris regularly to check on her. Her husband, Rudolf Sieber, had died of cancer on June 24, 1976.

In an interview with the German magazine Der Spiegel in November 2005, her daughter and grandson claim that Marlene Dietrich was politically active during these years. She would keep contact with world leaders by telephone, running up a monthly bill of over US$3,000. Her contacts included Ronald Reagan and Mikhail Gorbachev.

Dietrich died peacefully of renal failure on May 6, 1992, at the age of 90 in Paris. A service was conducted at La Madeleine in Paris before 3,500 mourners and a crowd of well-wishers outside. Her body, covered with an American flag, was then returned to Berlin where she was interred at the Städtischer Friedhof III, Berlin-Schöneberg, Stubenrauchstraße 43-45, in Friedenau Cemetery, not far from the house where she was born.

Unlike her professional celebrity, which was carefully crafted and maintained, Dietrich's personal life was kept out of public view. She married once, to director's assistant Rudolf Sieber, a Roman Catholic who later became a director at Paramount Pictures in France.

Her only child, Maria Elisabeth Sieber, was born in Berlin on December 13, 1924. She would later become an actress, primarily working in television, known as Maria Riva. When Maria gave birth to a son in 1948, Dietrich was dubbed "the world's most glamorous grandmother". After Dietrich's death, Riva published a relatively critical memoir of her mother.

Numerous affairs of Dietrich are known, not only with the director who made her famous, but also with other actors, among them Brian Aherne, Maurice Chevalier and John Gilbert. In 1938 she met the writer Erich-Maria Remarque, in 1941 the French actor and military hero Jean Gabin. Their relationship ended in the mid-1940s. During the 1950s, she had relationships with Edward R. Murrow and Yul Brynner. Her husband, with whom she stayed in touch, lived on a chicken farm in California with his unstable long-term mistress, Tamara Matul.

A few people have claimed that Dietrich engaged in same-sex affairs. Mercedes de Acosta, who published her autobiography Here Lies the Heart, claims that she was once her lover.

Also, Klaus Kinski wrote a book, Klaus Kinski: All I Need Is Love (1988), where he claimed that Marlene was a lesbian. It was removed from circulation after threats of a libel lawsuit were made. It was re-released after Marlene's death and re-titled Kinski Uncut: The Autobiography of Klaus Kinski (1997).

On October 24, 1993, the largest portion of her estate was sold to the Stiftung Deutsche Kinemathek — after U.S. institutions showed no interest — where it became the core of the exhibition at the Filmmuseum Berlin. The collection includes: over 3,000 textile items from the 1920s through the 1990s, including film and stage costumes as well as over a thousand items from Dietrich's personal wardrobe; 15,000 photographs, by Cecil Beaton, Horst P. Horst, George Hurrell, Lord Snowdon, Eugene Robert Richee, and Edward Steichen; 300,000 pages of documents, including correspondence with Burt Bacharach, Yul Brynner, Maurice Chevalier, Noel Coward, Jean Gabin, Ernest Hemingway, Karl Lagerfeld, Nancy and Ronald Reagan, Erich Maria Remarque, Josef von Sternberg, Orson Welles, and Billy Wilder; as well as other items like film posters and sound recordings.

The contents of Dietrich's Manhattan apartment, along with other personal effects such as jewelry and items of clothing, were sold by public auction by Sotheby's (Los Angeles) on 1 November 1997.

Image and Legacy

Dietrich never integrated into the Hollywood entertainment industry, being always an outsider for mainstream America. Her German accent gave an extra touch to her performance but made her look "foreign" in the eyes of Americans.

Dietrich was a fashion icon to the top designers as well as a screen icon that later stars would follow. She once said, "I dress for myself. Not for the image, not for the public, not for the fashion, not for men." Her public image and some of her movies included strong sexual undertones, including bisexuality.

Her distinctive voice was later satirized, along with that of Lotte Lenya, in the song "Lieder" by cult British trio Fascinating Aïda.

Marlene's picture also appears on the cover of The Beatles' iconic Sgt. Pepper's Lonely Hearts Club Band album cover. She is just behind George Harrison.

Mel Brooks stated on the commentary track of the Blazing Saddles DVD that Dietrich was the inspiration for Madeline Kahn's character, Lily Von Schtupp in that movie.

Madonna paid homage to Dietrich's looks and style several times throughout her career, most notably in the video of "Express Yourself" and during the "Like a Virgin" performance of The Girlie Show Tour. She also included Dietrich in the famous spoken part of her 1990 mega hit "Vogue".

Dietrich is mentioned in songs by Suzanne Vega ("Marlene On The Wall" was inspired by a poster of her) and Tom Russell ("Touch Of Evil" references the film of the same name).

In 1992, a plaque was unveiled at Leberstraße 65 in Berlin-Schöneberg, the site of Dietrich's birth.

A stamp bearing her portrait was issued in Germany on 14 August 1997.

After some controversy, it was decided not to name a street after Dietrich in Berlin-Schöneberg, her birthplace. Rather, on November 8, 1997, the Marlene-Dietrich-Platz was unveiled in Berlin to honor Dietrich.

She was made an honorary citizen of Berlin on 16 May 2002.<<

_______________________________________

DIETRICH, Marlene

DoB: 27/12/1901 Time: 21:15 (+1:00 MET) GMT Time: 20:15

Location: 13E25 52N32 Berlin Sch–neberg (D)

Source: Databases of L. M. Rodden: Korrigiert nach Rodden: Korrekturen zu und

Rodden's AstroDatabank rating: AA

-------------------------------------

Assuming Berlin-Schoneberg (Lat52n28 - Lon13e22) according to Astrodienst.

Astrological Setting (Tropical - Placidus)

RIYAL Fri December 27 1901 UT 20h15m00s Lat52n28 Lon13e22 SORT ALL

Planet	Longitude	Latitude	Declin.	Const.	H.D.	Period	Inclin.	O. Range
Pelion	0Cp10	5n16	18s11	Sgr	17.4	90	9.4	17.3->22.9
QB1	0Sa20	1s53	22s04	Sco	45.4	294	2.2	41.1->47.2
Radamantus	0Ar28	1s30	1s12	Psc	37.7	245	12.7	33.2->45.1
Hylonome	0Aq28	3n19	16s49	Cap	26.7	127	4.2	19.0->31.4
EL61	1Ca20 r	15s01	8n26	Ori	41.1	281	28.3	34.5->51.3
PB112	1Sa30	13s59	34s07	Lup	85.3	1142	15.4	35.6->183.
OM67	1Sc58	21s18	31s59	Cen	71.3	992	23.4	39.2->159.
RD215	2Sa00	14n33	6s18	Oph	75.1	1395	25.9	37.8->211.
MS4	2Vi06 r	16s13	4s26	Sex	39.8	268	17.7	35.7->47.4
Mercury	2Cp17	1s24	24s50	Sgr	0.5	0	7.0
Deucalion	2Ca31 r	0n14	23n40	Gem	46.6	290	0.4	40.9->46.8
VR130	2Le44 r	3s11	16n28	Cnc	19.4	116	3.5	14.7->32.9
MW12	2Vi48 r	11s35	0s20	Sex	50.5	307	21.5	39.0->52.0
Pylenor	2Li56	3n43	2n15	Vir	17.1	68	5.5	11.6->21.8
CE10	3Li13 r	21s00	20s28	Crt	15.6	31	145.5	2.1->17.5
KX14	3Ca33 r	0n04	23n28	Gem	38.8	240	0.4	36.8->40.4
Huya	3Ge49 r	15s20	5n51	Tau	50.1	246	15.5	28.3->50.3
CR105	3Ar52	19s33	16s22	Cet	67.2	3292	22.7	44.3->398.
Apogee	4Sa06 r	1n55	19s05	Sco
Ascend	4Vi07	0n00	10n00	Leo
TY364	4Sa29	23n39	2n14	Oph	39.4	244	24.8	36.6->41.5
Vertex	5Aq01
UX25	5Cp03	18n10	5s12	Sct	48.0	282	19.4	37.2->48.8
Typhon	5Pi08	0s36	10s12	Aqr	57.6	233	2.4	17.8->58.0
RP120	5Sc17	5s17	18s15	Vir	89.6	417	118.8	2.5->109.2
Sun	5Cp25	0n00	23s20	Sgr	1.0	1	0.0
PA44	5Ta49 r	0s36	12n54	Ari	9.2	53	3.3	3.4->24.9
Chaos	5Aq53	11s34	29s59	Mic	50.1	313	12.0	41.7->50.5
SQ73	6Sc02	5s24	18s38	Vir	17.7	74	17.5	14.7->20.7
RN43	6Li14	0s16	2s43	Vir	42.4	267	19.3	40.5->42.5
PJ30	6Le17 r	1s18	17n27	Cnc	68.2	1348	5.6	28.4->215.
Amycus	6Aq43	1s26	20s00	Cap	25.3	126	13.3	15.3->35.1
VQ94	6Ar54 r	51s02	43s06	Phe	109.5	2574	70.6	7.0->368.7
Chiron	7Cp03	5n57	17s19	Sgr	11.7	51	6.9	8.5->18.9
Moon	7Le07	5s05	13n34	Cnc	1.0	0	5.1
TX300	7Sc09	24s32	36s50	Cen	42.2	286	25.9	37.9->48.9
BL41	7Pi18	11n06	1n29	Aqr	8.2	31	13.3	7.1->12.7
HB57	7Ca51 r	15s31	7n44	Mon	89.5	1972	15.5	37.8->276.
Thereus	8Ta00 r	6s26	8n05	Cet	12.2	38	20.1	8.9->13.7
Sedna	8Ar02	8s34	4s41	Cet	131.6	11105	11.9	76.7->918.
XZ255	8Sa37	0n25	21s20	Oph	16.2	64	2.6	15.4->16.6
96PW	9Vi02 r	8n33	16n06	Leo	108.4	3731	30.4	2.5->478.7
WN188	9Aq24	4s21	22s06	Cap	14.7	55	26.9	2.2->26.8
CO1	9Ca35 r	8n10	31n15	Gem	16.4	93	19.8	10.9->30.3
GB32	9Ca44 r	13s56	9n11	Mon	96.6	2905	14.2	35.0->372.
Quaoar	10Le00 r	6s57	11n03	Cnc	44.6	283	8.0	41.3->44.9
RL43	10Ge02r	12s43	9n22	Ori	24.7	121	12.3	23.3->25.6
AW197	10Ta12 r	23n53	37n19	And	53.1	324	24.4	41.0->53.3
RR43	10Sa22	7n41	14s25	Oph	45.1	287	28.4	37.4->49.5
CO104	10Sc37	2s10	17s05	Lib	23.5	119	3.1	20.7->27.6
FP185	10Ge54r	30s00	7s39	Eri	91.1	3063	30.8	34.0->387.
Pholus	11Le07 r	4n39	21n55	Cnc	8.8	90	24.7	8.7->31.4
TO66	11Sc19	20s13	34s19	Cen	38.2	287	27.4	38.1->48.9
XX143	11Ar41	6s51	1s42	Cet	11.3	77	6.8	9.6->26.6
Node	12Sc07r	0n00	15s29	Lib
RM43	12Cp10	9s59	32s50	Sgr	78.3	876	28.6	35.5->147.
TL66	12Cp24	21n52	1s06	Aql	74.8	775	24.0	35.4->133.
SB60	12Li29	23s51	26s43	Hya	38.3	272	23.9	37.5->46.6
CZ118	12Ca51r	24n58	47n39	Lyn	95.1	1218	27.8	37.3->190.
Nessus	13Pi33	11s01	16s37	Aqr	30.9	123	15.6	11.9->37.5
BU48	13Sa34	11n58	10s33	Oph	44.6	193	14.2	20.7->46.1
Bienor	13Li48	11s38	16s08	Crv	14.5	67	20.7	13.2->19.8
OO67	14Sc16	19n48	2n50	Ser	104.0	15755	20.1	20.9->1236
RZ215	14Li30	14s42	19s13	Crv	79.7	1042	25.6	30.9->174.
FZ173	15Ge12r	12n24	34n56	Aur	80.9	777	12.7	32.2->136.
SA278	15Aq36	8n58	7s35	Aqr	93.9	894	16.2	33.6->152.
UR163	15Sc41	0s43	17s13	Lib	41.4	374	0.7	36.9->66.9
OX3	15Li41	3s04	9s00	Vir	42.2	180	3.2	17.5->46.3
AZ84	16Pi16	13n21	6n54	Psc	37.2	250	13.6	32.5->47.0
RZ214	16Sc21	4n36	12s19	Lib	64.5	793	20.5	36.8->134.
Logos	16Ar49 r	2s41	4n08	Psc	44.5	304	2.9	40.0->50.5
KF77	17Pi03	1s45	6s43	Aqr	22.7	134	4.3	19.8->32.5
OP32	17Vi04 r	8s03	2s19	Leo	42.4	283	27.2	38.4->47.7
PN34	17Ca08r	3n19	25n38	Gem	47.6	171	16.7	13.2->48.5
Saturn	17Cp13	0n11	22s10	Sgr	10.0	30	2.5
CC22	17Ta20 r	10s19	7n06	Cet	8.4	20	11.1	5.2->9.6
Pluto	17Ge21r	9s17	13n36	Ori	46.7	247	17.2	29.5->49.2
QF6	17Sc25	22n31	4n38	Ser	9.9	18	24.4	2.2->11.7
TC302	17Aq35	31s57	45s30	Gru	68.9	415	35.0	39.7->71.5
YQ179	18Ar05 r	20s56	12s16	Cet	83.2	829	20.9	37.4->139.
Uranus	18Sa12	0s03	22s58	Oph	19.1	85	0.8
Asbolus	18Le26 r	13n45	28n19	Leo	26.0	76	17.6	6.8->29.0
LE31	18Ar36 r	28s20	18s53	Cet	8.8	23	152.4	4.3->11.9
GZ32	18Sc58	12n34	5s21	Lib	18.6	111	15.0	18.0->28.3
Varuna	19Aq27	12s01	26s21	PsA	41.2	285	17.1	40.7->45.8
DA62	19Aq36	45s59	57s02	Tuc	8.1	21	52.3	4.1->11.2
QB243	19Ge56r	6n26	29n29	Aur	53.5	203	6.8	15.1->54.0
Teharonhi	20Li04	2s29	10s09	Vir	42.9	292	2.6	42.9->45.2
Orcus	20Pi19	20n20	14n50	Peg	30.6	249	20.6	30.5->48.6
Venus	20Aq25	0s51	15s29	Cap	0.7	1	3.4
Jupiter	20Cp26	0s16	22s09	Sgr	5.1	12	1.3
FY9	20Ta46 r	14s03	4n23	Tau	39.2	307	29.1	38.1->52.8
FZ53	21Sa13	29n57	6n44	Oph	27.2	116	34.8	12.5->35.2
VU2	21Sa24	1n52	21s18	Oph	10.8	19	14.0	3.2->10.9
Chariklo	21Aq50	9n59	4s46	Aqr	17.8	63	23.3	13.2->18.5
Ceto	22Pi02	0s51	3s57	Aqr	82.4	1006	22.2	18.0->182.
VS2	22Sa07	9s19	32s31	Sco	42.0	250	14.7	36.9->42.5
Eris	22Pi14	32s37	32s40	Scl	92.2	563	44.0	38.6->97.9
UJ438	22Cp35	1n49	19s46	Sgr	26.8	74	3.8	8.4->26.9
Cyllarus	24Le26 r	12n52	25n28	Leo	33.6	133	12.6	16.2->36.1
GQ21	24Ge45r	12s55	10n26	Ori	70.9	885	13.4	38.0->146.
GM137	24Ta49 r	9s27	9n48	Tau	8.9	23	15.6	7.1->9.2
Crantor	24Ca54r	0s33	20n37	Gem	18.4	85	12.8	14.0->24.7
RG33	25Le03 r	33n44	44n21	UMa	14.3	29	35.6	2.2->16.8
Midheav	25Ta05	0n00	19n03	Tau
Okyrhoe	25Pi24	2s13	3s52	Aqr	10.4	24	15.6	5.8->11.0
Echeclus	25Li24	1n55	8s02	Vir	12.0	34	4.3	5.8->15.3
DH5	25Vi43	6n45	7n54	Vir	15.4	103	22.5	14.0->29.9
Mars	25Cp58	1s07	22s04	Sgr	1.4	2	1.9
XA255	26Pi20	12s04	12s30	Cet	45.9	163	12.7	9.4->50.2
Ixion	26Le46 r	19n21	30n39	LMi	45.2	246	19.6	29.6->49.0
CY118	26Ta56 r	25s08	5s02	Eri	78.9	846	25.6	34.5->144.
TD10	26Li56	2n17	8s15	Vir	92.1	947	6.0	12.3->180.
Elatus	26Sa58	0n06	23s19	Sgr	12.4	46	5.6	7.5->18.1
WL7	27Aq02	6s08	18s16	Aqr	20.2	91	11.1	15.1->25.4
CF119	27Ar04 r	19n45	28n42	Psc	78.9	830	19.7	38.8->137.
XR190	27Pi55	45n06	39n46	Lac	61.7	436	46.7	53.1->61.8
GV9	28Ta26 r	4n05	23n48	Tau	43.5	271	22.0	38.7->45.0
QD112	29Le33 r	8n06	19n12	Leo	19.4	83	14.5	7.9->30.0
Neptune	29Ge56r	1s12	22n15	Gem	29.9	164	1.8

Focused Minor Planets

VQ94 = 6 Ar 54 r Square

Typhon = 5 Pi 08 Sextile

Ascend = 4 Vi 07 Trine

Chaos = 5 Aq 53 Semisextile

Ixion = 26 Le 46 r

Mars = 25 Cp 58 Quincunx

CF119 = 27 Ar 04 r Trine

TD10 = 26 Li 56 Sextile

Midheav = 25 Ta 05 Square

Orcus = 20 Pi 19

Jupiter = 20 Cp 26 Sextile

Chariklo = 21 Aq 50 Semisextile

VS2 = 22 Sa 07 Square

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Varuna = 19 Aq 27

Venus = 20 Aq 25

Asbolus = 18 Le 26 r

FY9 = 20 Ta 46 r Square

Uranus = 18 Sa 12 Sextile

Jupiter = 20 Cp 26 Semisextile

Orcus = 20 Pi 19

____________________

Deucalion = 2 Ca 31 r

Neptune = 29 Ge 56 r

Mercury = 2 Cp 17

Hylonome = 0 Aq 28 Quincunx

MS4 = 2 Vi 06 r Sextile

____________________

Jupiter = 20 Cp 26 Trine

Venus = 20 Aq 25 Square

Varuna = 19 Aq 27

Orcus = 20 Pi 19 Sextile

____________________

Varuna = 19 Aq 27

Asbolus = 18 Le 26 r

Pluto = 17 Ge 21 r Trine

Saturn = 17 Cp 13 Semisextile

YQ179 = 18 Ar 05 r Sextile

Uranus = 18 Sa 12

OP32 = 17 Vi 04 r Quincunx

RZ214 = 16 Sc 21 Square

_____________________

Moon = 7 Le 07 Trine

Chaos = 5 Aq 53 Sextile

TX300 = 7 Sc 09 Quincunx

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Astrological Setting (Sidereal - Fagan/Bradley)

RIYAL Fri December 27 1901 UT 20h15m00s Lat52n28 Lon13e22 SORT ALL

Planet	Longitude
Cyllarus	1Le03 r
GQ21	1Ge22 r
GM137	1Ta27 r
Crantor	1Ca32 r
RG33	1Le41 r
Midheav	1Ta42
Okyrhoe	2Pi02
Echeclus	2Li02
DH5	2Vi20
Mars	2Cp35
XA255	2Pi58
Ixion	3Le24 r
CY118	3Ta33 r
TD10	3Li34
Elatus	3Sa36
WL7	3Aq40
CF119	3Ar41 r
XR190	4Pi33
GV9	5Ta03 r
QD112	6Le10 r
Neptune	6Ge34 r
Pelion	6Sa48
QB1	6Sc57
Radamantus	7Pi06
Hylonome	7Cp06
EL61	7Ge57 r
PB112	8Sc08
OM67	8Li35
RD215	8Sc37
MS4	8Le43 r
Mercury	8Sa55
Deucalion	9Ge08 r
VR130	9Ca22 r
MW12	9Le25 r
Pylenor	9Vi33
CE10	9Vi51 r
KX14	10Ge11r
Huya	10Ta26 r
CR105	10Pi29
Apogee	10Sc43r
Ascend	10Le45
TY364	11Sc07
Vertex	11Cp39
UX25	11Sa40
Typhon	11Aq46
RP120	11Li55
Sun	12Sa03
PA44	12Ar26 r
Chaos	12Cp31
SQ73	12Li39
RN43	12Vi52
PJ30	12Ca55r
Amycus	13Cp21
VQ94	13Pi31 r
Chiron	13Sa41
Moon	13Ca44
TX300	13Li46
BL41	13Aq56
HB57	14Ge29r
Thereus	14Ar37 r
Sedna	14Pi40
XZ255	15Sc15
96PW	15Le40 r
WN188	16Cp01
CO1	16Ge12r
GB32	16Ge22r
Quaoar	16Ca37r
RL43	16Ta40 r
AW197	16Ar50 r
RR43	17Sc00
CO104	17Li15
FP185	17Ta31 r
Pholus	17Ca44r
TO66	17Li57
XX143	18Pi18
Node	18Li45 r
RM43	18Sa47
TL66	19Sa02
SB60	19Vi06
CZ118	19Ge28r
Nessus	20Aq11
BU48	20Sc11
Bienor	20Vi26
OO67	20Li53
RZ215	21Vi07
FZ173	21Ta49 r
SA278	22Cp14
UR163	22Li18
OX3	22Vi19
AZ84	22Aq54
RZ214	22Li59
Logos	23Pi27 r
KF77	23Aq41
OP32	23Le41 r
PN34	23Ge45r
Saturn	23Sa50
CC22	23Ar58 r
Pluto	23Ta59 r
QF6	24Li02
TC302	24Cp12
YQ179	24Pi42 r
Uranus	24Sc49
Asbolus	25Ca03r
LE31	25Pi14 r
GZ32	25Li35
Varuna	26Cp05
DA62	26Cp13
QB243	26Ta33 r
Teharonhi	26Vi42
Orcus	26Aq57
Venus	27Cp03
Jupiter	27Sa03
FY9	27Ar24 r
FZ53	27Sc50
VU2	28Sc02
Chariklo	28Cp28
Ceto	28Aq40
VS2	28Sc44
Eris	28Aq51
UJ438	29Sa12

Focused Minor Planets

VQ94 = 13 Pi 31 r Square

Typhon = 11 Aq 46 Sextile

Ascend = 10 Le 45 Trine

Chaos = 12 Cp 31 Semisextile

TY364 = 11 Sc 07

____________________

Ixion = 3 Le 24 r

Mars = 2 Cp 35 Quincunx

CF119 = 3 Ar 41 r Trine

TD10 = 3 Li 34 Sextile

Midheav = 1 Ta 42 Square

____________________

Orcus = 26 Aq 57

Jupiter = 27 Sa 03 Sextile

Chariklo = 28 Cp 28 Semisextile

VS2 = 28 Sc 44 Square

____________________

Varuna = 26 Cp 05

Venus = 27 Cp 03

Asbolus = 25 Ca 03 r

FY9 = 27 Ar 24 r Square

Uranus = 24 Sc 49 Sextile

Jupiter = 27 Sa 03 Semisextile

Orcus = 26 Aq 57

____________________

Deucalion = 9 Ge 08 r

Neptune = 6 Ge 34 r

Mercury = 8 Sa 55

Hylonome = 7 Cp 06 Quincunx

MS4 = 8 Le 43 r Sextile

____________________

Jupiter = 27 Sa 03 Trine

Venus = 27 Cp 03 Square

Varuna = 26 Cp 05

Orcus = 26 Aq 57 Sextile

____________________

Varuna = 26 Cp 05

Asbolus = 25 Ca 03 r

Pluto = 23 Ta 59 r Trine

Saturn = 23 Sa 50 Semisextile

YQ179 = 24 Pi 42 r Sextile

Uranus = 24 Sc 49

OP32 = 23 Le 41 r Quincunx

RZ214 = 22 Li 59 Square

____________________

Moon = 13 Ca 44 Trine

Chaos = 12 Cp 31 Sextile

TX300 = 13 Li 46 Quincunx

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Suggested tentative, provisional keywords for 2002 UX25:

Lifelong Work of Art

Figment of Collective Imaginations

Contradictions in the Personality

Extremely Disciplined

Strong Sexual Undertones

Sophisticated Creativity

Self-centered Efforts

Shocking with Painful or Difficult Subjects

To Confound all the Laws of Man and Nature At Once

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Posted to Centaurs (YahooGroups) on December 24, 2007

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